Selected Bibliography

2022
Dara Birnbaum: Reaction. Brooklyn: Dancing Foxes Press, 2022.

2021
Dara Birnbaum: Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With). New York: Primary Information, 2021.

2019
Kramlich Residence and Collection. Ostfildern: Hatje Cantz, 2019.

2018
Before Projection: Video Sculpture 1974-1995. Munich: Hirmer, 2018.
Truth: 24 Frames Per Second. New Haven: Yale University Press, 2018.

2016
Mash Up: The Birth of Modern Culture. London: Black Dog Publishing, 2016.

2014
Take It or Leave It: Institution, Image, Ideology. Los Angeles: Hammer Museum, 2014.

2011
The Dark Matter of Media Light. Kelly, Karen, Barbara Schroder, and Giel Vandecaveye. Ghent / Porto / Munich: Stedelijk Musuem voor Actuele Kunst / Museu Serralves / DelMonico Books-Prestel, 2011.

2010
Modern Women: Women Artists at the Museum of Modern Art. New York: Museum of Modern Art, 2010.
Technology / Transformation: Wonder Woman. Demos, T.J. London, England: Afterall Books, 2010.

2008
Sonic Youth - Sensational Fix. Cologne, Germany: Verlag der Buchhandlung Walter König, 2008.

2007
30/40: A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery. Buchloh, Benjamin H.D. New York, NY: Marian Goodman Gallery, 2007.
WACK!: Art and the Feminist Revolution. Los Angeles, California: Museum of Contemporary Art / The MIT Press, 2007.

2005
Frieze Art Fair: Yearbook 2005-2006. London, England: Frieze Art Fair, 2005.
LisboaPhoto. Lisbon, Portugal: Câmara Municipal de Lisboa – Direcção Municipal de Cultura / PÚBLICO – Comunicação Social SA, 2005.
Video Art: The Castello di Rivoli Collection. Milan, Italy: Skira Editore S.p.A., 2005.

2004
Art Since 1900. London, England: Thames and Hudson Ltd., 2004.

2003
Hans Ulrich Obrist: Interviews. Obrist, Hans-Ulrich and Thomas Boutoux. Florence, Italy: Fondazione Pitti Immagine Discovery, 2003.
Video Acts: Single Channel Works from the Collection of Pamela and Richard Kramlich and the New Art Trust. Biesenbach, Klaus, Barbara London and Christopher Eamon. Long Island City, New York: P.S.1 Contemporary Art Center, 2003.
X-Screen: Film Installations and Actions in the 1960s and 1970s. Cologne, Germany: Verlag der Buchhandlung Walter König, 2003.

2002
En el Lado de la Television / In the Side of Television. Marzo, Jorge Luis. Castello, Spain: Espai d’Art Contemporani de Castello, 2002.
Frenetic Interferences. New York, New York: Memory Cage Editions at the New Museum Store, New Museum of Contemporary Art, 2002.
Gloria: Another Look at Feminist Art of the 1970s. Morris, Catherine and Ingrid Schaffner. New York, New York: White Columns, 2002.

2001
Markers. Venice, Italy: International Artists’ Museum / City of Venice / Venice Biennale, 2001.
The Passions: 1st Valencia Biennial: Communication Between the Arts. Casabán, Consuelo Ciscar and Luigi Settembrini. Milan, Italy: Edizioni Charta, 2001.
Tele[visions]. Mackert, Gabriele, Gerald Matt and Joshua Decter. Vienna, Austria: Kunsthalle Wien, 2001.
Théâtres du Fantastique: Printemps de Septembre, Toulouse. Perrin, Marie-Thérèse. Arles, France: Actes Sud, 2001.

2000
Around 1984: A Look at Art in the 80’s. Long Island City, New York: P.S.1 Contemporary Art Center, 2000.
Au-Delà du Spectacle. Paris, France: Centre Georges Pompidou: 2000.
Let’s Entertain: Life’s Guilty Pleasures. Vergne, Philippe. Minneapolis, Minnesota: Walker Art Center, 2000: 25, 248, 250.
MediaCity Seoul 2000. Misulgwan, Soul Sirip. Seoul, South Korea: Organizing Committee, 2000: 196-197.

1999
The American Century: Art and Culture 1950-2000, Philips, Lisa and Barbara Haskell. Whitney Museum of American Art / W.W. Norton & Company: New York, New York, 1999.
Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Meda Art. Ross, David A. San Francisco, California: San Francisco Museum of Modern Art, 1999: 42, 98-99, 177.

1998
Art of the 20th Century. Ruhrberg / Schneckenburger / Fricke / Honnef. Cologne, Germany: Taschen, 1998.
Saison Video. Lille, France: Saison Video, 1998: 13.

1997
Art Recollection: Artists’ Interviews and Statements in the Nineties, Detterer, Gabriele. Danilo Montanari / Exit / Zona Archives: Florence, Italy, 1997.
Der Traum vom Sehen: Zeitalter der Teelvisionen. Kubitz, Peter Paul, Doris Esbacher and Peter Hoenisch. Amsterdam, The Netherlands: Verlag der Kunst, 1997: 236.
Do It. Obrist, Hans-Ulrich and Bruce Altshuler. New York, New York: Independent Curators Incorporated, 1997: 76-77.
Heart of Darkness. Brouwer, Marianne. Amsterdam, The Netherlands: Kröller-Müller Museum, 1997: 193.
KünstlerInnen: 50 Positionen Zeitgenössischer Internationaler Kunst Videos und Werke. Köb, Edelbert. Cologne, Germany: Verlag der Buchhandlung Walther König, 1997: 8-9, 26-27.
San Francisco & Northern California. Dorling Kindersley: London, England, 1997.
Unbuilt Roads: 107 Unrealized Projects. Hatje: Ostfildern, Germany, 1997.

1996
Inszenierte Imagination. Beiträge zu einer historischen Anthropologie der Medien. Müller-Funk, Wolfgang and Hans Ulrich Reck. Springer: Vienna, Austria ; New York, New York, 1996.
Moderna Museet Stockholm. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland. Ostfildern, Germany: Edition Cantz, 1996.
Surfing Systems: Die Gunst der 90er–Positionen Zeitgenössischer Art. Balkenhol, Bernhard and Holger Kube Ventura. Basel, Switzerland: Stroemfeld / Roter Stern, 1996.

1995
[Brochure]. Vienna, Austria: Kunsthalle Wien,1995.
Buchloh, Benjamin. “Dara Birnbaum: Allegorical Procedures.” Mediaj v mediju/Media in Media. Ljubljana, Slovenia: Soros Center for Contemporary Arts, 1995: 46-55, 149-150.
Dara Birnbaum. Birnbaum, Dara, Eleonora Louis and Toni Stooss. Vienna, Austria: Die Kunsthalle, 1995.
Dara Birnbaum: Video Art. Stockholm, Sweden: Norrtälje Konsthall, 1995.
InfoART. Kim, Hong-hui and Cynthia Goodman. Seoul, South Korea: Kwangju Biennale Foundation / Sam Shin Gak Publishing House, 1995.
Internationaler Videokunstpreis 1995. Karlsruhe, Germany: Zentrum für Kunst und Medientechnologie, 1995.
Künstler-Videos: Entwicklung und Bedeutung. Malsch, Friedemann, Dagmar Streckel and Ursula Perucchi-Petri / Kunsthaus Zürich. Cantz: Ostfildern-Ruit, Germany, 1995: 75-76.
Künstlerindex zur Documenta IX. Hoet, Jan. Kassel, Germany: Documenta Archiv, 1995.
L’Effet Cinema. Montréal, Quebec: Musée d’Art Contemporain, 1995.
Suture - Phantasmen der Vollkommenheit: Symposium Salzburger Kunnstverein. Adams, Parvien and Silvia Eiblmayr. Salzburg, Germany: Salzburger Kunstverein, 1995.

1994
Castello di Rivoli Museo d’Arte Contemporanea: La Collezione. Castello di Rivoli Museo d’Arte Contemporanea. Milan, Italy: Charta, 1994: 62-63.
Dekonstruktion X Video. Hermans, Uwe, Gerhard Wissner and Ventura Hoger. Kassel, Germany: Filmladen, 1994: 69.
Installation Art. Oliveira, Nicolas De, Nicola Oxley, Michael Petry and Michael Archer. Smithonian Institution Press: Washington, D.C., 1994: 80, 87.
San Francisco & Northern California. Dorling Kindersley: London, England, 1994.

1993
At the Modern. San Francisco, California: San Francisco Museum of Modern Art, 1993: 2.
MultiMediale 3: das Medienkunstfestival des ZKM Karlsruhe. Schuck, Susanne. Karlsruhe, Germany: Zentrum für Kunst und Medientechnologie, 1993. 72-75.
Thresholds and Enclosures. San Francisco, California: San Francisco Museum of Modern Art, 1993.
Video, Taide, Media. Tarkka, Minna. Gummerus: Helsinki, Finland, 1993.

1992
Every TV Needs a Revolution, IC Books, published by Imschoot, uitgevers for IC, Gent, Belgium, 1992.
Art at the Armory: Occupied Territory. Wright, Beryl J, Robert Bruegmann and Anne Rorimer. Chicago, Illinois: Museum of Contemporary Art, 1992.
C’est pas la fin du monde. Rennes, France: Centre d’Histoire de l’Art Contemporain, 1992.
La Colección del Ivam adquisiciones, 1985-1992. Valencia, Spain: IVAM, 1992.
La Collection: Tableau Inaugural. Bélisle, Josée. Montreal, Quebec: Musee d’Art Contemporain, 1992.
Deutscher Videokunstpreis 1992. Karlsruhe, Germany: Zentrum für Kunst und Medientechnologie, 1992.
Documenta IX. Museum Fridericianum Veranstaltungs GmbH. Stuttgart, Germany: Cantz, 1992.
Dukunst. Iserlohn, Germany: Stadt Iserlohn / Kulturamt Iserlohn, 1992: 83.
Performing Objects. Bogdanov, Branka. Boston, Massachusetts: Institute of Contemporary Art, 1992. [videocassette].

1991
2nd Montreal International Festival of Cinema and Video. Montreal, Quebec, 1991.
4e Semaine International de Video. Léchot, Lysianne. Geneva, Switzerland: Saint-Gervais Genéve, 1991.
6th Australian International Video Festival. Glebe, New South Wales, Australia: Electronic Media Arts Ltd., 1991.
15th Annual Atlanta Film / Video Festival. Atlanta, Georgia, 1991.
38th Arts Festival of Atlanta. Atlanta, Georgia: Arts Festival of Atlanta Association, 1991.
Arte & Arte. Birnbaum, Dara and Ida Gianelli / Museo d’Arte Contemporanea, Castello di Rivoli. Milan, Italy: Fabri, 1991.
The Chicago International Film Festival. Chicago, Illinois: Cinema/Chicago, 1991.
Dara Birnbaum: IVAM, Centre del Carme. Birnbaum, Dara. Valencia, Spain: Institut Valencià d'Art Modern, 1991.
Electronic Arts Intermix: Video. Zippay, Lori. New York, NY: Electronic Arts Intermix, 1991.
European Media Art Festival. Osnabrück, Germany: Medienkunst Festival, 1991.
Festival de Video de Belo Horizonte. Belo Horizonte, Cuba: FORUMBHZVIDEO, 1991.
Inheritance and Transformation. Dublin, Ireland: The Irish Museum of Modern Art, 1991.
La Mondiale de Films et Vidéos, Quebec, Canada, 1991.
MultiMediale 2: Der Mediale Raum Videoprogramme. Karlsruhe, Germany: Zentrum für Kunst und Medientechnologie, 1991.
Time Festival. Gent, Belgium: Museum Van Hedendaagse Kunst, 1991.
Video-Forum Berlin: Bestandskatalog. Eckhardt, Gisela Jo. Berlin, Germany: Neuer Berliner Kunstverein, 1991.

1990
Assembled: Works of Art Using Photography as a Construction Element. Acconci, Vito and Barry A. Rosenberg. Dayton, Ohio: The University Art Galleries, Wright State University, 1990.
Dara Birnbaum: Retrospektiivi. Helsinki/Kuopio, Finland: Kuopio Videofestivaalit 1990, 1990.
The Decade Show: Frameworks of Identity in the 1980s. New York, New York: The New Museum of Contemporary Art / Museum of Contemporary Hispanic Art / Studio Museum in Harlem, 1990.
Getting Into Video: A Career Guide. London, Mel. Ballantine Books: New York, New York, 1990.
Life-Size: A Sense of the Real in Recent Art. Landau, Suzanne. Jerusalem, Israel: The Israel Museum, 1990.
Tendances Multiples: Videos des Annees 80. Paris, France: Centre Georges Pompidou, 1990.
Video Poetics. Nash, Michael. Long Beach, California: Long Beach Museum of Art, 1990.

1989
20 Forum de Arte Contemporanea. Lisbon, Portugal, 1989.
Berlin Film Festival. Berlin, Germany, 1989.
Encontros: Luso-Amerucabis de Arte Contemporanea American Sculpture. Eurolitho / Lisbon, Portugal: Impressores Graficos, 1989.
Femmes Cathodiques: Festival International de Video. Paris, France: Palais de Tokyo / Centre Audiovisuel Simone de Beauvoir, 1989.
Festival International du Nouveau Cinema et de la Video de Montreal. Blain, Gilles. Montreal, Quebec: Le Festival, 1989.
A Forest of Signs: Art in the Crisis of Representation. Gudis, Catherine, Mary Jane Jacob and Ann Goldstein / The Museum of Contemporary Art. Cambridge, Massachusetts: MIT Press, 1989.
Image World: Art and Media Culture. Heiferman, Marvin, Lisa Phillips and John G Hanhardt. New York, New York: Whitney Museum of American Art, 1989.
Making Their Mark: Women Artists Move Into the Mainstream 1970-1985. Rosen Randy and Catherine Coleman Brawer. New York, New York: Abbeville Press, 1989.
Mostra de Video Norte-Americano. Lisbon, Portugal: ROCHA/artes graficas / Ida, 1989.
The Object of Performance: The American Avant-Garde since 1970. Sayre, Henry M. University of Chicago Press: Chicago, Illinois, 1989: 79-80.
Postmodern Currents: Art and Artists in the Age of Electronic Media Research Press, University of Michigan: Ann Arbor, Michingan, 1989: 230, 238-242.
Video Scan: An Introduction to Video Art. Madison, Wisconsin: Madison Art Center, 1989.
Video-Skulptur: Retrospectiv and Aktuell 1963-1989. Herzogenrath, Wulf and Edith Decker / Kölnischer Kunstverein / DuMont Kunsthalle. Cologne, Germany, 1989.
What Does She Want? Current Feminist Art From the First Bank Collection. Northfield, Minnesota: Carlton Art Gallery, Carlton College, 1989.

1988
3 Videonale Bonn: Internationale Videokunst 1986-1988. Berlin, Germany: Neuer Berliner Kunstverein, 1989.
3rd International Festival of Films by Women Directors. Seattle, Washington: CineMatrix, 1988.
1988 American Film Institute Video Festival. Los Angeles, California: American Film Institute, 1988.
1988: The World of Art Today. Milwaukee, Wisconsin: The Milwaukee Art Museum, 1988.
5000 Artists Return to Artists Space: 25 Years, Artists Space: New York, New York, 1998.
American Landscape Video: The Electronic Grove. Judson, William D. Pittsburgh, Pennsylvania: The Carnegie Museum of Art, 1988.
The Art of Seeing. Zelanski, Paul and Mary Pat Fisher. Prentice Hall Inc.: Englewood Cliffs, New Jersey, 1988.
Into Video Art: The Characteristics of the Medium. Perrée, Rob. CONRumore: Rotterdam, The Netherlands, 1988: 59, 68.
TV, For Real. Diserens, Corrine and Carol Ann Klonarides. Geneva, Switzerland: Halle Sud, 1988.
Video Transformations. Bianchi, Lois. New York, New York: Independent Curators Inc., 1988.

1987
The American Film Institute Film Festival Los Angeles. Los Angeles, California: American Film Institute, 1987.
The Arts for Television. Huffman, Kathy Rae, Dorine Mignot and Rosetta Brooks. Los Angeles, California: The Museum of Contemporary Art: / Amsterdam, The Netherland: Stedelijk Museum, 1987.
Documenta VIII. Kassel, Germany, 1987.
L’Epoque, La Mode, La Morale, La Passion (1977-1987). Blistène, Bernard, Catherine David and Alfred Pacquement. Paris, France: Centre Georges Pompidou, 1987.
Implosion: A Postmodern Perspective. Nittve, Lars, Germano Celant, Kate Linker, Craig Owens and Margareta Helleberg. Stockholm, Sweden: Moderna Museet, 1987.
Non in Codice. Barry, Judith and Carolyn Christov-Bakargiev. Rome, Italy: Galleria Pieroni, 1987.
Revision: Art Programmes of European Televising Stations. Mignot, Dorine and Maarten Bertheux. Amsterdam, The Netherlands: Stedelijk Museum,1987.
Rough Edits: Popular Image Video Works 1977-1980. Birnbaum, Dara and Benjamin H. D. Buchloh. Halifax, Nova Scotia: Press of the Nova Scotia College of Art and Design, 1987.
The Second Australian Video Television Festival. Tokyo, Japan: Spiral Hall, 1987.
Thought Objects. Ess, B., Glenn Branca, Alice Albert and Rosetta Brooks. CEPA / JAA Press: New York, New York, 1987.
Video CD ‘87. 3rd International Biennial, Yugoslavia, 1987.
Video des Femmes. Geneva, Switzerland: Center Saint Gervais, Maison des Jeunes et de la Culture de Geneve, 1987.
World Wide Video Festival. The Hague, The Netherlands: Kijkhuis, 1987.

1986
A Different Climate: Women Artists Use New Media. Matheson, John. Düsseldorf, Germany: Kunsthalle Düsseldorf, 1986.
The Avant Gardes in New York. Tanaka, Seiichi. Tanaka Studio: Osaka, Japan, 1986.
Beyond Boundaries: New York’s New Art. Saltz, Jerry, Roberta Smith and Peter Halley. Alfred Van Der Marck Editions: New York, New York, 1986: 114-115, 123.
The Image of Fiction: International Videoart. Perrée, Rob, Leonie Bodeving and Lydia Schouten. Rotterdam, The Netherlands: Stichting Con Rumore, 1986.
Kunst und Technologie. Magers, Philomene, Bärbel Moser and Petra Unnützer. Bonn, Germany: Bundesminister fur Forschung und Technologie, 1986.
New York City Video. Sydney, Australia: ARTSPACE, 1986.
Products and Promotion: Art, Advertising and the American Dream. San Francisco, California: San Francisco Camerawork, 1986.
Remembrances of Things Past. Relyea, Lane and Constance Fitzsimons. Long Beach, California: Long Beach Museum of Art, 1986.
Resolution: A Critique of Video Art. LACE: Los Angeles, California, 1986: 76-81.
Video. Montreal, Canada: International Video Conference, 1986.
Video Classics: A Guide to Video Art and Documentary Tapes. Boyle, Deidre. Oryx Press: Phoenix, Arizona, 1986.
Video Culture: A Critical Investigation. Visual Studies Workshop Press: Rochester, New York, 1986: 169-170, 174-178.
Videonale ‘86: Internationales Festival und Wettbewerb fur Kunstvideos. Bonn, Germany, 1986.
Videowochen Im Wenkenpark. Basel, Switzerland, 1986.
World Wide Video Festival. The Hague, The Netherlands: Kijkhuis, 1986.

1985
1. Internationale Video-Biennale. Vienna, Austria, 1985.
Carnegie International. Lane, John R., Saskia Bos and John Caldwell. Pittsburgh, Pennsylvania: Carnegie Institute, Museum of Art, 1985.
Communications for the Future: Television and Video Festival in India. Washington, DC: The American Film Institute / Los Angeles, California: The American Film Institute, 1985.
Difference: On Representation and Sexuality. Linker, Kate and Jan Weinstock. New York, New York: The New Museum of Contemporary Art, 1985.
Kunst Mit Eigen-Sinn. Eiblmayr, Silvia, Valie Export and Monika Prischl-Maier. Vienna, Austria: Museum Moderner Kunst, 1985.
Made for TV Festival. Boston, Masachusetts: New England Women in Film and Video (WIFV) / Institute of Contemporary Art, 1985.
Performance Art and Video Installation. London, England: The Tate Gallery, 1985.
Selections from the 1985 Whitney Biennial Exhibition. New York, New York: The Whitney Museum of American Art, 1985.
Talking Back to the Media. Kamstra, Sabrina, Sebastian Lopéz and Rob Perrée. Amsterdam, The Netherlands: Stichting, 1985.
Transmission: Theory and Practice for a New Television Aesthetics. D’Agostino, Peter. Tanam Press: New York, New York, 1985.
Video: A Retrospective: Long Beach Museum of Art 1974-1984. Huffman, Kathy Rae. Long Beach, California: Long Beach Museum of Art, 1985.
A Video Editing Project: Women Artists/Filmmakers: Festival of Film as Art–The Women’s Perspective. Jarrett, Ernest Steven. Greensboro, North Carolina: University of North Carolina, 1985.
Video Visions. Boston, Massachusetts: Institute of Contemporary Art, 1985.

1984
2 Festivale Internazionale del Video. Rome, Italy, 1984.
Art After Modernism: Rethinking Representation. David R. Godine, Boston, Massachusetts / The New Museum of Contemporary Art: New York, New York, 1984: 70-72.
Artists’ Videotapes: A Selection from Art Metropole, Toronto, Ontario: Art Metropole, 1984.
Content: A Contemporary Focus 1974-1984. Fox, Howard N., Miranda McClintic and Phyllis D. Rosenzweig. Washington, DC: The Hirshhorn Museum, 1984.
Dara Birnbaum. Dijon, France: Le Coin du Miroir, 1984.
A Decade of New Art, Artists Space. New York, New York: Artists Space, 1984.
Festival Internacional de Cine de San Sebastian. San Sebastian, Spain, 1984.
First National Video Festival. Madrid, Spain, 1984.
From TV to Video. Venice, Italy: Venice Biennale, 1984: 8, 38.
The Luminous Image. Amsterdam, The Netherlands: The Stedelijk Museum, 1984.
Mediated Narratives: A Videotape Exhibition. Riley, Bob. Boston, Massachusetts: The Institute of Contemporary Art, 1984.
New American Video Art: A Historical Survey 1967-1980. New York, New York: Whitney Museum of American Art, 1984.
New Voices 4: Women and the Media / New Video. Oberlin, Ohio: Allen Memorial Art Museum, 1984.
Rencontres Video Internationales de Montreal-Video 84. Montreal, Quebec: Galerie Graff, 1984.
Selections from the Permanent Collection. Neff, Terry Ann R. Chicago, Illinois: The Museum of Contemporary Art, 1984.
So There, Orwell 1984. New Orleans, Louisiana: Louisiana World Exhibition, 1984.
Theories of Contemporary Art. Prentice Hall: Englewood Cliffs, New Jersey, 1984: 248.
Videos Musicales: 5ième Festival International d’Art Video. Locarno, Switzerland, 1984.

1983
The Anti-Aesthetic: Essays on Postmodern Culture. Bay Press: Port Townsend, Washington, 1983: 57.
Art Video–Retrospectives and Perspectives. Charleroi, Belgium: Palais des Beaux-Arts, 1983.
Comment. Fitzsimons, Constance and Cecile Abish. Long Beach, California: Long Beach Museum of Art, 1983.
Film as Installation II. New York, New York: The Clocktower / Institute for Art and Urban Resources, 1983.
International Festival of Video Art. Ottawa, Ontario: The Saw Gallery, 1983.
Mediated Narratives: A Videotape Exhibition. Riley, Bob. Boston, Massachusetts: Institute of Contemporary Art, 1983.
Mill Valley Film Festival: Mill Valley, California, 1983.
National Video Festival. Los Angeles, California: The American Film Institute, 1983.
Tenth Anniversary Exhibition. New York, New York: Artists Space, 1983.
Video Video. Toronto, Ontario: Toronto Film Festival, 1983.
World Wide Video Festival. The Hague, The Netherlands: Kijkhuis, 1983.

1982
1ère Manifestation Internationale de Video. Montbeliard, France, 1982.
11eme Festival International du Nouveau Cinema. Montreal, Quebec, 1982.
’60 ‘80: Attitudes, Concepts, Images. Amsterdam, The Netherlands: Stedelijk Museum, 1982.
The 74th American Exhibition. Chicago, Illinois: The Art Institute of Chicago, 1982.
L’Amica Americana: Bologna, Italy: Video Donna, 1982.
Documenta VII. Kassel, Germany, 1982.
A Fatal Attraction: Art and the Media. Chicago, Illinois: The Renaissance Society at the University of Chicago, 1982.
From New York: Video Blitz 82/83. Düsseldorf, Germany: Kunsthalle Düsseldorf, 1982.
National Video Festival. Los Angeles, California: The American Film Institute, 1982.
Rassegna Internazionale Donne Autrici di Cine e Video. Rome, Italy, 1982.
Seville Film Festival: Seville, Spain, 1982.
Video Video. Toronto, Ontario: Toronto Film Festival, 1982.

1981
Inespressionismo Americano. Bonino Editore: Milan, Italy, 1981.
National Video Festival. Los Angeles, California: The American Film Institute, 1981.
New Directions: Contemporary American Art from the Commodities Corporation Collection. Hunter, Sam. Princeton, New Jersey: Commodities Corporation, 1981.
San Francisco International Video Festival. San Francisco, California, 1981.

1980
Deconstruction / Reconstruction: The Transformation of Photographic Information into Metaphor. Rice, Shelley. New York, New York: The New Museum of Contemporary Art, 1980.
Film as Installation. New York, New York: The Clocktower / Institute for Art and Urban Resources, 1980.
Video Installations Show. Buffalo, New York: Hallwalls Contemporary Art Center, 1980.