Group Exhibitions

2026
A Dream in Four Colours, Kiasma Collection Exhibition, Museum of Contemporary Art Kiasma, Helsinki, Finland
Drive-In 4x4, Wave Farm and New Ear in collaboration with Electronic Arts Intermix, Coxsackie, New York, USA
What a Wonderful World: An Audiovisual Poem, Variety Arts Theater, Los Angeles, CA, USA
There were gardens, Kings Leap Fine Arts, New York, New York, USA

2025
Paradigm Shift, 180 Studios, London, England, United Kingdom
Over My Head: Encounters with Conceptual Art in a Flyover City, 1984–2015, Chicago Exhibition Weekend, Gertie, Chicago
Pom Pom Pi Dou, Tripostal Festival, Centre Pompidou, Musée National d’Art Moderne, Paris, France
The Story That Never Ends. The ZKM Collection, ZKM Center for Art and Media, Karlsruhe, Germany
Aux Lieux d’Être (In Places of Being), Frac Île-de-France, France

2023
UNTRANQUIL NOW: a constellation of Narratives and resonances, Hamburger Kunsthalle, Germany 
Radical Software: Women, Art & Computing. 1960-1991, MUDAM, Luxembourg City, Luxembourg; Kunsthalle Wien, Vienna, Austria [2025]
Particolare, Kursalon, Vienna, Austria
Feminism and the Moving Image, National Museum of Modern Art, Tokyo, Japan
Coller l'oreille aux colimaçons, Frac Île-de-France, France
What if Women Ruled the World, National Museum of Contemporary Art (EMΣT), Athens, Greece
Video Space: Dara Birnbaum and Kalup Linzy, Allen Memorial Museum, Oberlin College, Oberlin, Ohio, USA 
Untranquil Now, Theater Hamburg, Germany
Your Patience Is Appreciated, Marian Goodman Gallery, New York
Killing TV, Tai Kwun, Hong Kong
Signals: The Politics of Video Art, Museum of Modern Art, New York, NY, USA

2022
From Moment to Movement: Picturing Protest in the Kramlich Collection, Jan Shrem and Maria Manetti Shrem Museum of Art, UC Davis, Davis, California, USA

2021
Technology / Transformation: Wonder Woman, (Screening), Julia Stoschek Collection, Berliner Festspiele, Germany 
Image Processors: Artists in the Medium – A Short History 1968–2020,  Te Pātaka Toi, Adam Art Gallery, Wellington, New Zealand
Smart to the Core: Medium / Image, Smart Museum of Art, The University of Chicago, Illinois, USA

2020
WOMAN: Feminist Avant-Garde of the 1970s from the SAMMLUNG VERBUND Collection, Museu de Arte Contemporânea da Universidade de São Paulo
Videotapes: Early Video Art, Zachęta, National Gallery of Art, Warsaw, Poland

2019
Theater of Operations: The Gulf Wars 1991–2011, MoMA PS1, New York, NY, USA 
Des mots et des choses, Fonds Régional d’Arte Contemporain (FRAC) Bretagne, Rennes, France
WOMAN: Feminist Avant-Garde of the 1970s from the SAMMLUNG VERBUND Collection, ICP, New York, NY, USA
Michael Jackson: On the Wall, Bundeskunsthalle, Bonn, Germany; Espoo Museum of Modern Art, Espoo, Finland 
The Collection (1): Highlights for a Future, Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium
Men of Steel, Women of Wonder, Crystal Bridges Museum of American Art, Bentonville, Arkansas; San Antonio Museum of Art, San Antonio, Texas, USA

2018
Wonder Woman, Polana Institute, Warsaw, Poland
Michael Jackson: On the Wall, National Portrait Gallery, London; Grand Palais, Paris, France 
WOMAN: Feminist Avant-Garde of the 1970s from the SAMMLUNG VERBUND Collection, Stavanger Art Museum, Norway ; The Brno House of Arts, Brno, Czech Republic
And still, like dust, I'll rise, Galway Arts Centre, Galway, Ireland
Brand New Art and Commodity in the 1980s, Hirshhorn Museum and Sculpture Garden, Washington DC, USA
Before Projection: Video Sculpture 1973-1994, List Center for Visual Art, Massachusetts Institute of Technology, Cambridge; Sculpture Center, New York, NY, USA
Art in the Age of the Internet, 1989 to today, Institute of Contemporary Art, Boston, Massachusetts
Broadcasting: EAI at ICA, Institute of Contemporary Art, UPenn, Philadelphia, Pennsylvania, USA 
MuMo2: BODY TALK, My body is talking to you,Frac ile-de-France
The Value of Freedom, 21 Haus, Belvedere Museum, Vienna, Austria
Half the Picture, Brooklyn Museum, New York, NY, USA

2017
The Collection—Stedelijk Base, Stedelijk Museum, Amsterdam, Netherlands
Call and Response: Recent acquisitions from the Bass Collection, The Bass Museum of Art, Miami, Florida, USA
Truth: 24 frames per second, Dallas Museum of Art, Dallas, Texas, USA
Delirious: Art at the Limits of Reason, 1950—1980, The Met Breuer, New York, NY, USA
Into the Unknown: A Journey through Science Fiction, Barbican, London, England, United Kingdom
We Are Everywhere, Museum of Contemporary Art Chicago, Chicago, Illinois, USA
Generation Loss: 10 Years of JULIA STOSCHEK COLLECTION, Julia Stoschek Collection, Düsseldorf, Germany 
H(a)unting Images: anatomy of a shot, CaixaForum, Barcelona, Spain 
Making/Breaking the Binary: Women, Art and Technology 1965-85, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, Pennsylvania, USA

2016
Happy Ending, FRAC Champagne-Ardenne, Reims, France
MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver, Canada
MORE LIGHT: Media Art from Atlanta, Eyedrum, Atlanta, Georgia, USA
Don’t Call Me Honey, Wexner Center for the Arts, Columbus, Ohio, USA
First Light: A Decade of Collecting, Barbara Lee Collection of Art by Women, Institute of Contemporary Art, Boston, Massachusetts, USA
TECHSTYLE Series 1.0. Ariadne’s Thread, MILL6 Foundation, Hong Kong, China
Bodacioussss, Museum of Contemporary Art, Denver, Colorado, USA
Breaking News: Turning The Lens on Mass Media, J. Paul Getty Museum, Getty Center Los Angeles, California, USA

2015
Ludwig Goes Pop, momuk - museum moderner kunst stiftung ludwig wien, Wien, Austria
same same but different, imai – inter media art institute, Dusseldorf, Germany
Taking Pictures, Burlington City Arts, Burlington, Vermont, USA
The Feminist Avant-Gard of the 1970s, Hamburg Kunsthalle, Hamburg, Germany
Strangelove, curated by David Gryn, Central Saint Martins, London, England, United Kingdom
Protest Against Forgetting, curated by Hans Ulrich Obrist, 56th Venice Biennale, Venice, Italy
Transmission: Legacies of the Television Age, National Gallery of Victoria, Melbourne, Australia 
Wirkliches Leben? Ein Panorama der Sammlungen, Museum der Moderna, Salzburg, Austria
America is Hard to See, Whitney Museum of American Art, New York, NY, USA
This is Not a Love Song: Video Art and Pop Music Crossovers, Pera Museum, Istanbul, Turkey
Toggle Variable Speed, Logan Center for the Arts Screening Room, The Renaissance Society, Chicago, Illinois, USA
L'art dans tous ses états - Oeuvres de la collection du Frac Île-de-France, Centre d'art les Réservoirs, Limay, France
Fireflies in the Night. Curated Robert Storr, Barbara London, Kalliopi Minioudaki, and Francesca Pietropaolo. Stavros Niarchos Cultural Center, Athens, Greece.
Technologism, MUMA-MONASH University, Museum of Art, Melbourne, Australia
Push/Play: A Survey of Recent Video Art, The 23rd Annual John and Katherine Covington Art Exhibition, Sonnenschein Gallery in Durand Art Institute, Lake Forest College, Lake Forest, Illinois, USA
Greater New York, MoMA P.S. 1, Long Island City, NY, USA
To Be Continued: Television As Art, Nova Southeastern University (NSU) Art Museum, Fort Lauderdale, Florida, USA 
The Figure in Process: De Kooning to Kapoor 1955-2015, Pivot Art + Culture, Seattle, Washington, USA

2014
No Meaning, Faircharm Studios, London, England, United Kingdom
Take it or leave it, Hammer Museum, Los Angeles, California, USA
Art Post Internet, Ullens, Beijing, China
Copie Non Conforme, The Kunstraum Niederoesterreich, Vienna, Austria
Rewritten by Machine and New Technology, University Art Gallery, Landini Center for Performing and Fine Arts, Indiana State University, Terra Haute, Indiana, USA
TIME::CODE, White Box, New York, NY, USA
The Last Brucennial, Organized by Vito Schnabel and the Bruce High Quality Foundation, New York, NY, USA
Time Pieces, The video art collection of Neuer Berliner Kunstverein at Nordstern Videokunstzentrum, Gelsenkirchen, Germany
Moscow Museum Nights, Artprojx selection of films, Moscow, Russia
Total Art: Contemporary Video, National Museum of Women in the Arts, Washington, D.C., USA
Five Pioneers, Cleveland Museum of Art, Cleveland, Ohio, USA
Cut to Swipe, Museum of Modern Art, New York, NY, USA
same same but different, imai – inter media art institute, Dusseldorf, Germany

2013
Women Take Over, Seattle Art Museum, Seattle, Washington, USA
Rhythm in it, Aargauer Kunsthaus, Aarau, Switzerland
The Whole Earth: California and the Disappearance of the Outside, The Haus der Kulturen der Welt, Berlin, Germany
ZERO+, Curated by Jan Frank, White Box, New York, NY, USA
Video Vintage 1963-1983, Centre Pompidou, Paris/Beirut Art Center, Beirut In partnership with the Institut Français, Foundation Saradar and BLC Bank, Beirut Art Center, Lebanon / Beirut
This is Not a Love Song, Palau de la Virreina Center de la Image, Barcelona, Spain
Kaboom! Comic in der Kunst, Weserbug- Museum für Moderne Kunst, Bremen, Germany
Station to Station: A Nomadic Happening, by Doug Aitken, Duggal Greenhouse, Brooklyn Navy Yard, NY; Union Station/The Pennsylvanian, Pittsburgh, Pennsylvania; Union Station, Chicago, Illinois; Union Depot, St. Paul, Minnesota; Lamy, New Mexico; La Posada, Winslow, Arizona; Skyline Drive-In, Barstow, California;Union Station, L.A., ; 16th Street Station, Oakland, California 
Mom, am I barbarian?, 13th Istanbul Biennial, video section, Istanbul, Turkey 
Minimal Resistance. Between Late Modernism and Globalization: Artistic Practices During the 80s and 90s, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Art Basel Miami Beach 2013, Outdoor screening curated by David Gryn, Miami Beach, Florida, USA
1:1, Museum of Contemporary Art (MSUM), Ljublijana, Slovenia

2012
This Will Have Been: Art, Love & Politics in the 1980s, Walker Art Center, Minneapolis, Minnesota, USA; Museum of Contemporary Art, Chicago, Illinois, USA
Life and Death, Visual Arts Gallery, School of Visual Arts, New York, NY, USA
les 30 ans: 30 expositions – 30 lieux – 30 partenaires, du frac champagne  ardenne, Centre d-art contemporain, Troyes, France
Critical Episodes (1957-2011). MACBA Collection, MACBA, Madrid, Spain
We the People TV, Curated by Alison Gingeras, Jonathan Horowitz and Anna McCarthy, Robert Rauschenberg Foundation Project Space, New York, NY, USA
How to Eclipse the Light: Curated by Karen Archey, Wilkinson Gallery, London, England, United Kingdom
Images against darkness. Video art from the archive of imai – inter media art institute, KIT – Kunst im Tunnel, Dusseldorf, Germany
Sound & Vision: Crossroads, The Plug In Institute of Contemporary Art, Winnipeg, Canada
Bilder gegen die Dunkelheit – Videokunst aus dem Archiv des imai im KIT – KIT – Kunst im Tunnel, Düsseldorf
Remote Control, ICA – Institute of Contemporary Arts London, London, England, United Kingdom
Wunder. Kunst, Wissenschaft und Religion, Kunsthalle Krems, Krems, Austria
Vidéo Vintage: 1963-1983, Centre Pompidou, Musée National d’Art Moderne, Paris, France
Indomitable Woman, a (his)tory of Women in Audiovisual Art (1944-2009), Presented by Macu Moran at the National Museum Reina Sofia, Reina Sofia, Madrid, Spain
Film and video from the Moderna Museet Collection, Moderna Museet,  Stockholm, Sweden
A Trip to the Moon. Before and After Film, Bonnier’s Konsthall, Stockholm, Sweden
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991, Contemporary Arts Museum Houston, Houston, Texas, USA

2011
Universo video, Kinetic Histories Laboral, Centro de Arte y Creaciόn Industrial, Gijόn, Spain
The Geneva Window, The LAB, Dublin, Ireland
Modern Women: Single Channel, MoMA PS1, Long Island City, NY, USA
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1992, Neuberger Museum of Art, Purchase, Harrison, NY, USA

2010
Broadcast, Picker Art Gallery, Colgate University, Hamilton, NY, USA, University of South Florida Contemporary Art Museum, Tampa, Florida, USA
Changing Channels, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
The Street as Studio. From Basquiat to Banksy, Kunsthalle Wien, Vienna, Austria 
Television Delivers, Arts Santa Monica, Barcelona, Spain 

2009
Sonic Youth etc.: Sensational Fix, Kunsthalle Düsseldorf, Düsseldorf, Germany
Museum of Malmö, Malmö, Sweden
Play – Film and Video, Moderna Museet, Stockholm, Sweden
The Pictures Generation, 1974–1984,  Metropolitan Museum of Art, New York, NY, USA

2008
Broadcast, MoCAD, Museum of Contemporary Art Detroit, Detroit, Michigan, USA
Market Forces Part II: Consumer Confidence, carriage trade, New York, NY, USA
In Collaboration: Early Works from the Media Arts Collection Video, slide projection and film installations created in the 1970s, San Francisco Museum of Modern Art, San Francisco, California, USA
WACK! Art and the Feminist Revolution, P.S. 1 Contemporary Art Center, Long Island City, NY, USA
The Hands of Art, SMAK Stedelijk Museum voor Actuele Kunst Gent, Belgium
The Case of Video Art-Screenings related to Martha Rosler, Art & Social Life, New Museum of Contemporary Art, New York, NY, USA
11 Sessions - Dara Birnbaum, Orchard, New York, NY, USA

2007
Television Delivers People, Whitney Museum of American Art, New York, NY, USA 
Il Futuro del Futurismo, GAMeC - Galleria d'Arte Moderna e Contemporanea di Bergamo, Bergamo, Italy
Beauty and the Blonde: An Exploration of American Art and Popular Culture, Mildred Lane Kemper Art Museum, Washington University, Saint Louis, Missouri, USA 
30/40: A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery, Marian Goodman Gallery, New York, NY, USA
Playback, Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris, France  
MIND HACKING (OVERLOADED), Akademie Schloss Solitude, Stuttgart, Deutschland
Extended Animation: Digital Effects, Corporate Logos and Style, Gallery F15, Moss, Norway, Curated by Hanne Mugaas
Feminist Video Art of the 70s, 24th Annual Olympia Film Festival 2007, Capitol Theater, Olympia, Washington, USA
Berwick-upon-Tweed Film & Media Arts Festival 2007,Berwick-upon-Tweed, Northumberland, England, United Kingdom
Broadcast, Contemporary Museum, Baltimore, Maryland, USA
Throw Your TV Out the Window, Indianapolis Museum of Art, Indianapolis, Indiana, USA [lecture by Rosanne Altstatt]  
WACK! Art and the Feminist Revolution, The Museum of Contemporary Art, Los Angeles, California, USA
Video: An Art, A History 1965-2005 New Media Collection, Centre Pompidou, ACMI, Melbourne, Australia, /  Musée Fabre de Montpellier, Montpellier , France / Chiado Museum, Lisboa, Portugal
Feedback: The Video Data Bank, Video Art, and Artist Interviews, Museum of Modern Art New York, NY, USA
Teaching at the Tang, The Frances Young Tang Teaching Museum and Schick Art Gallery, Skidmore College, Saratoga Springs, New York, USA

2006
The Downtown Show: The New York Art Scene, 1974-1984, The Grey Art Gallery, New York, New York / The Andy Warhol Museum, Pittsburgh, Pennsylvania / Austin Museum of Art, Austin, Texas, USA
Women, unitednationsplaza, Berlin, Germany
AMBUSH: Ladies Who Launch, The NUT ROASTER, Brooklyn, NY, USA  
Music Video Art.  The Open Air Cinema at Art Positions, Miami, Florida, USA
Arteast Collection 2000+23, Moderna Galerija - Ljubljana, Slovenia
Video: An Art, A History 1965-2005 New Media Collection, Centre Pompidou, Miami Art Central, Miami, Florida, USA / Taipei, Taiwan
Fine Arts Museum, Taipei, Taiwan / Museum of Contemporary Art Sydney, Sydney, Australia 
Artists & Icons, Independent Cinema Office,  Kenilworth House, London, England, United Kingdom  
Re-Vision: Sampling als Kulturelle Strategie,  Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany
PHILIP, Project Arts Centre, Dublin, Ireland 

2005
Regarding Terror: The RAF Exhibition, KW Institute for Contemporary Art (Kunst-Werke), Berlin, Germany 
Lisboa Photo 2005, Lisbon, Portugal 
Utopia Station @ World Social Forum, Porto Allegre, Brazil
Upstarts and Matriarchs: Jewish Women Artists Transformations of 
American Art: 1970 – Now, Shwayder Theater of the Mizel Center for Arts and Culture, Denver, Colorado, USA 
Wonder Woman, Fonds Règional d’Art Contemporain de Lorraine, Metz, France
For Presentation and Display: Some Art of the 80’s, Princeton 
University Art Museum, Princeton, New Jersey, USA
Regarding Mobility, Chapter: mobility as a walk: Robert Walser, Fundacíon Telefonica, Madrid, Spain

2004
Utopia Station, Munich, Haus der Kunst, Munich, Germany
MACBA Collection 2004, MACBA, Barcelona, Spain
Hysterical, Dennis Kimmerich Gallery, Düsseldorf, Germany
Videonale 10 – Festival zur zeitgenössischen Videokunst, Kunstmuseum Bonn, Bonn, Germany
Utopia Station, Poster project, Naples, Italy
Stedelijk Museum Amsterdam at Usce, Museum of Contemporary Art Belgrade (MoCAB)
City of Women: 10th International Festival of Contemporary Arts, Past Transition – Welcome to the future? Ljubljana, Slovania
Third Places – Music Clips, Steirischer Herbst 2004, Graz, Austria
Music/Video, The Bronx Museum of the Arts, New York, NY, USA
The Art of Video: Journey of the Immobile Man, (Arte del video: Il viaggio dell’uomo immobile), Lucca, Fondazione Centro Studi sull’Arte, Italy
Video – 25 Jahre Videoästhetik, NRW-Forum, Düsseldorf, Germany
Grasduinen I in het kader van S.M.A.K. – aan-zee, Stedelijk Museum Amsterdam, The Netherlands 
Prima e dopo l’immagine, (Before and after the image), Castello di Rivoli, Museo d’Arte Contemporanea, Turin, Italy
Da Li Ste Videli?, Stedelijk Museum, Amsterdam, The Netherlands

2003
Splat Boom Pow! The Influence of Cartoons in Contemporary Art, Institute of Contemporary Art, Boston, Massachusetts / Wexner Center for the Arts, Columbus, Ohio, USA
Gloria: Another Look at Feminist Art of the 1970s, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA
XScreen (Expanded Screen), MUMOK (Museum of Modern Art Ludwig Foundation), Vienna, Austria
Wandering Library, International Artists’ Museum and the Museo Ebaico di Venezia, an Artists’ Books, event to mark the 50th Biennale di Venezia, Venice, Italy
Une Histoire de L’Art Vidéo, Screening, Espace Croisé, Centre d’Art Contemporain, Rubaix, France 
Video Zero / Communication Interferences, the first generation of projected images, videostoria serie – chapter 1, The Haifa Museum of Art, Haifa, Israel
La Photographie: de Fait à Fiction, Galerie Marian Goodman, Paris, France
Gloria: Another Look at Feminist Art of the 1970s, Moore College of Art and Design, Philadelphia, Pennsylvania, USA
Utopia Station, Venice Biennale, Venice, Italy
The Disembodied Spirit, Bowdoin College, Bowdoin, Maine / Kemper Museum Contemporary Art, St. Louis, Missouri / Austin Museum of Art, Austin, Texas, USA
Video Acts: Single Channel work from the Collections of Pamela Richard Kramlich and the New Art Trust, Institute of Contemporary Art, London, England, United Kingdom
Réalités: Collections de cinq régions francaises, Galeria Zacheta, Warsaw, Poland
Utopia Station Poster Project, Haus der Kunst, Munich, Germany
No Technical Difficulties, Museum of Modern Art, Gramercy Theater, New York, New York; Pacific Film Archives, Berkeley, California, USA

2002
The First Decade: Video from the EAI Archives, Museum of Modern Art, New York
Do It, Museo de Arte Carrillo Gil, Mexico City, Mexico 
Shoot the Singer: Music on Video, ICA, University of Pennsylvania, Philadelphia, USA
Politics and Resistance and Musical Subculture, Video screening, Museu d’Art Contemporani de Barcelona, Barcelona, SpainVideo screening, Centre Regional d’Art Contemporain, Sête, France 
Frenetic Interferences, a presentation of Memory/Cage Editions, Zurich at the New Museum Store, New Museum of Contemporary Art, NY, New York, USA
Gloria: Another Look at Feminist Art of the 1970s, White Columns, New York / Moore College of Art and Design, Philadelphia, Pennsylvania, USA 
Video Cube, curated exhibition at FIAC, Paris, France 
Plus qu’une Image, Video screening, Pompes Funèbres de la Ville de Paris, Paris, France 
ILJU Art House Archive, video screening, Seoul, Korea
Corps et territories pour une vision sensible du monde, Centre d’Art Passerelle with the participation of Frac Bretagne and Pays de la Loire, France
V Festival Internacional de Fotografia de Madrid, Art and TV section, presented by Fundacion Telefonica, Madrid, Spain
In the Side of Television, Espai d’Art Contemporani de Castello (EACC), Castellon, Spain

2001
Tele[visions], KUNSTHALLE Wien, Vienna, Austria
Bienal de Valencia, Valencia, Spain
Printemps de Septembre, Toulouse, France 
Never Never Land, Contemporary Art Museum, USF, Tampa, Florida, USA; traveled to Rutgers-Camden Center for the Arts. 
Markers, presented through the International Artists’ Museum and the City of Venice, Venice Biennale, Venice, Italy.
Let’s Entertain: Life’s Guilty Pleasures, Kunstmuseum Wolfsburg, Germany
Show & Tell, (in cooperation with Das Gedächtnis der Kunst), Museum für Moderne Kunst, Frankfurt am Main, Germany
Nuit de L’Art Vidéo, Video Screening, Facultés universitaires Notre-Dame de la Paix, Maison de la Poésie, Eglise Saint-Loup, Liège, Belgium 
Media Forum, XXIII Moscow International Film Festival, Moscow, Russia

2000
Das Gedächtnis der Kunst, Historisches Museum in cooperation with the Schirn Kunsthalle, Frankfurt, Germany
Seeing Time, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Au-delà du Spectacle, Centre Pompidou, Paris, France
Video Time: Media Critique, Program II, Museum of Modern Art, New York, NY, USA
media_city seoul 2000,  Seoul Biennial, The Metropolitan Museum of Art, Seoul, Korea
Never Never Land, Schmidt Center Gallery, Florida Atlantic University, Boca Raton, Florida, USA
Let’s Entertain: Life’s Guilty Pleasures, Walker Art Museum, Minneapolis, Minnesota / Portland Art Museum, Portland, Oregon, USA 
Video Wall, Sert Gallery, The Harvard University Art Museums, in conjunction with John Wesley: Love’s Lust, Harvard, Cambridge, Massachusetts, USA
Pit Pony, Hoxton Distillery, London, England, United Kingdom

1999
The American Century, Art & Culture 1900 - 2000, Part Two. Whitney Museum of American Art, New York, NY, USA
Seeing Time: Selections from the Pamela and Richard Kramlich Collection of Media Art, San Francisco Museum of Modern Art, San Francisco, California, USA
Regarding Beauty in Performance and Media Art 1960-1998, Hirschhorn Museum and Sculpture Garden, Washington DC, USA
Beauty Now, Haus der Kunst, Munich, Germany
Andere Räume, andere Stimmen, DRS 2 Aktuell, Swiss National Radio, Zürich, Switzerland, radio broadcast (January 13, 1999)
Kill All Lies, Luhring Augustine Gallery, New York, NY, USA
Quiet, 359 Broadway Bilder der Nacht, television broadcasts on Südwestrundfunk (SWF), Germany
Video 2000 or History into the Future, Bonner Kunstverein, Bonn, Germany
Show And Tell: A Selected History of Photography and Video,  Berkeley Art Museum, Berkeley, California, USA

1998
Transformation, Kim, Yeong-gon Gallery, Shinbiro, Seoul, South Korea
Video Lounge, Centre pour l’Image Contemporaine, Saint-Gervais, Geneve, Switzerland
-vidi wall-, Museum Moderner Kunst Stiftung Ludwig, Wien, Austria.
Social Space, Marian Goodman Gallery, Paris, France
do it, NIKOLAJ, Kobenhavns Kommunes Udstillingsbygning, Copenhagen Contemporary Art Center, Copenhagen, Denmark
Couchpotatoes and other delicacies, Kunstlerhaus Bethanien, Germany
Animating the Static, The Yale Gallery, Yale University, New Haven, Connecticut, USA
Surveying the First Decade: Video Art and Alternative Media in the United States, Program 7 
Critiques of Art and Media as Commodity and Spectacle, Downtown Community Television; Museum of the Moving Image, New York, NY, USA
Vidéo: Repères historiques, La Saison Vidéo, Maubeuge, France

1997
do it, Independent Curators Incorporated, Traveling Exhibition: North America, Latin America, South America
KunstlerInnen, Kunsthaus Bregenz, Bregenz, Austria 
Surveying The First Decade: Video Art and Alternative Media in the United States, San Francisco Museum of Modern Art, San Francisco, California, USA 
Mediated Presence: Three Decades of Artists’ Video from Electronic Arts Intermix, NYC, Dia Center for the Arts, New York, NY, USA
Disrupture: Post-Modern Media, San Francisco Museum of Modern Art, San Francisco, California, USA
Der Traum vom Sehen, Gasometer im Oberhausen, Germany /  Konzeption: Triad Berlin Projekgeselllschaft unter Mitarbeit des Deutschen Technikmuseums, Berlin, Germany
Rooms with A View: Environments for Video, Guggenheim Museum Soho, New York, NY, USA 
Medij v mediju/Media in Media, Soros Centre for Contemporary Arts, Ljubljana, Slovenia

1996
Women’s Work, Greene-Naftali Gallery, New York, NY, USA
The Great Collections IV: Moderna Museet, Stockholm, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
More Than Minimal: Feminism and Abstraction in the ‘70’s, Rose Art Museum, Waltham, Massachusetts, USA
13th Kasseler Dokumetarfilm und Videofest, Filmladen, Kassel, Germany
Surfing Systems, Museum Fridericianum, Kassel, Germany. 
Polyphonix 28, Musée d’Art Africaine et Océanien, Paris, France

1995
Kwangju Biennale, InfoArt, Whole World Video, Kwangju, China
L’Immagine E L’Oggetto, Museo D’Arte Contemporanea, Rome, Italy
L’Effet cinéma, Musée d’Art Contemporain, Montréal, Quebec, Canada
Féminin/Masculin (le sexe de l’art), Centre Georges Pompidou, Paris, France
Glaube Hoffnung Liebe Tod, KUNSTHALLE wien / Graphische Sammlung Albertina, Vienna, Austria
Club Berlin, Theatre Malibran, Venice Biennale, Venice, Italy

1994
Heart of Darkness, Kröller-Müller Museum, Otterlo, The Netherlands
11th Dokumentarfilm und Videofestival: Dekonstruktion + Video, Filmladen, Kassel, Germany
beeld, Museum van Hedendaagse Kunst, Gent, Belgium
Suture: Phantasmen der Vollkommenheit, Salzburger Kunstverein, Salzburg, Austria 
Ars longa Video brevis, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
Video Cafe Medienkunsttage Mainz, KOB8 Media-Art Network, Kulturzentrum, Mainz, Germany

1994
Corpus Loquendi (Body for Speaking): Video in Halifax 1972-1982, Dalhousie Art Gallery, Dalhousie University, Halifax, Nova Scotia 
The Art of Seduction, The Centre Gallery, Miami-Dade Community College, Miami, Florida, USA
Radical Chic, Künstlerhaus, Stuttgart, Germany

1993
MultiMediale 3, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Das Fremde / Der Gast, Offenes Kulturhaus, Linz, Austria
Collective Dreams on the Edge of Night: A Decade of Video Art, The 
Standby Program, The Kitchen, New York, NY, USA
Publicly Aired, Privately Discussed, DAAD, Berlin, Germany
Trans-voices, A/C Project Room, New York, NY, USA
M.F.A. Program 1981-1993: Faculty Artists’ Exhibition, Hunter College, M.F.A. Gallery, New York, NY, USA
Thresholds & Enclosures, San Francisco Museum of Modern Art, San Francisco, California, USA
Contacts: Proofs, Jersey City Museum, Jersey City, New Jersey, USA
Die Eigenwelt der Apparatenwelt II, Institut für Neue Medien, Frankfurt am Main, Germany

1992
Dara Birnbaum, Video im Kölnischen Kunstverein, Cologne, Germany
Sound Basis, Visual Arts Festival, Wroclaw, Poland
Performing Objects, The Institute of Contemporary Art, Boston, Masachusetts, USA
Video: Two Decades, The Museum of Modern Art, New York, NY, USA
Trans-Voices, Whitney Museum of American Art, New York, New York / Centre Georges Pompidou, Paris, France / WNET, New York, New York / WGBH, Boston, Massachusetts / MTV Network, New York, New York / Canal Plus, France
Art at the Armory: Occupied Territory, Museum of Contemporary Art, Chicago, Illinois, USA
DOCUMENTA IX, Kassel, Germany
transForm: Reflection and Transparence, Kunsthalle Basel, Basel, Switzerland
15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, Illinois, USA
Videokunstfest, Filmladen, Kassel, Germany
La Coleccion del IVAM: Adquisiciones 1985-1992, IVAM, Valencia, Spain
Die Künstlerpostkarte, Altonaer Museum, Hamburg, Germany
6ème Manifestation Internationale de Vidéo et de la télévision de Montbéliard, Montbéliard, France
Choice Encounters, Long Beach Museum of Art, Long Beach, California, USA

1992
La Collection: Tableau Inaugural,  Musée d´Art Contemporain du Montréal, Quebec
DuKunst, Iserlohn, Germany
Met Open Vizier, Stichting Amazone, Amsterdam, The Netherlands
Gegendarstellung,  Kunstverein, Hamburg, Germany
Videowerkschauen der Documenta IX Künstler/innen, Neues Museum Weserburg, Bremen, Germany
KÜNSTLER. Formen zeitgenössischer Praxis, Städelschule, Frankfurt, Germany

1991
Arte & Arte, Museo d´Arte Contemporanea, Castello di Rivoli, Turin, Italy
Collision: Video Art and Popular Culture, The Savannah College of Art and Design, Savannah, Georgia, USA
The Pleasure Machine: Recent American Video, Milwaukee Art Museum, Milwaukee, Wisconsin, USA
Time Festival, Museum van Hedendaagse Kunst, Gent, Belgium
The 15th Annual Atlanta Film/Video Festival, Atlanta, Georgia, USA
Highlights of the 15th Annual Atlanta Film/Video Festival, The Tulla Foundation Gallery, Atlanta, Georgia, USA
La Mondiale de Films et Vidéos, Québec, Canada
Inheritance and Transformation, The Irish Museum of Modern Art, Dublin, Ireland
38th Arts Festival of Atlanta, Atlanta, Georgia, USA
Mixed Signals, a cable series produced by the New England Foundation for the Arts, Cambridge, Massachusetts, USA
Video in the Gallery: Realities, American Museum of the Moving Image, Astoria, New York, NY, USA
Festival de Video de Belo Horizonte, FORUMBHZVIDEO, Cuba
Moving Light: Seeing and Believing, John Michael Kohler Arts Center, 
Sheboygan, Wisconsin, USA
27th Chicago International Film Festival, Chicago, Illinois, USA
20th Montreal International Festival of New Cinema and Video, Montreal, Quebec
MultiMediale 2, Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany
XII Festival International de la Video et des Arts Electroniques, Locarno, Switzerland
Group Exhibition, Ivan Dougherty Gallery, University of New South Wales, Sydney, Australia
Video Forum, Neuer Berliner Kunstverein, Berlin, Germany
The 6th Australian International Video Festival, Glebe, Australia
European Media Art Festival, Osnabruck, Germany
4ème Semaine Internationale de Vidéo, Genève, Switzerland
Women and the Body, Bertha and Carl Leubsdorf Art Gallery, Hunter College, New York, NY, USA

1990
The Decade Show: Frameworks of Identity in the 1980s, Museum of 
Contemporary Hispanic Art, New York, New York / The New Museum of Contemporary Art, New York, New York / The Studio Museum in Harlem, New York, NY, USA
Assembled, The University Art Gallery, Wright State University, Dayton, Ohio
Video Poetics, Long Beach Museum of Art, Long Beach, California
Breaking the Codes: Women, Technology and Art, panel and screening of  Video Artists Showcase, Women’s Caucus For Art, 1990 National Conference, New York, NY, USA
What´s on T.V., The Brooklyn Museum, Brooklyn, NY, USA
Videofest, 13th Annual Mill Valley Film Festival, Mill Valley, California, USA
Premières, 4. Videonale, Bonner Kunstverein, Bonn, Germany
Works by Women, Dallas Video Festival, Dallas, Texas
The Alternative Voice, Video Drive-In, The Public Art Fund/Central Park Summer Stage and the Video Data Bank, New York, NY, USA

1989
Image World: Art and Media Culture, The Whitney Museum of American Art, New York, NY, USA
Video-Scan: An Introduction to Video Art, Madison Art Center, Madison, Wisconsin
Video-Skulptur: Retrospektiv und Aktuell 1963-1989,  Kölnischer 
Kunstverein; and DuMont Kunsthalle, Cologne, Germany
39. Berliner Festwochen,  Kongresshalle, Berlin, Germany /Kunsthaus, Zürich, Switzerland
Escultura Contemporanea Americana: Sinais de Vida, and  Video Drive-in, Encontres luso-Americanos de Arte Contemporanea, Fundacio Calouste Gulbenkian, Lisbon, Portugal
20 Forum de Arte Contemporanea,  Lisbon, Portugal
A Forest of Signs, The Museum of Contemporary Art/The Temporary Contemporary, Los Angeles, California, USA
Femmes Cathodiques,  Festival Internationale de Vidéo, Palais de Tokyo, Centre Audiovisuel Simone de Beauvoir, Paris, France.
Berlin Film Festival, Video Section, Berlin, Germany
3. Videonale Bonn, Bonn, Germany
Internationale Videokunst 1986-1988, Artothek und Video-Forum, Neuer Berliner Kunstverein, Berlin, Germany
Making Their Mark: Women Artists Move Into the Mainstream, 1970-1985, Cincinnati Art Museum, Cincinnati, OH / New Orleans Museum of Art, New Orleans, Louisiana / Denver Museum of Art, Denver, Colorado; and Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania
The Arts for Television, The Museum of Modern Art, New York, NY, USA
What Does She Want?, Current Feminist Art from the First Bank Collection, Carlton Art Gallery, Carlton College, Minnesota / Woman´s Art Registry of Minnesota, Minneapolis, Minnesota, USA
Sequence/(con)Sequence: (sub)Versions of Photography in the 80s, Video Section, Bard College, Annandale, New York, USA
Video Tape Gallery, 235 Media and Pentagon / Gallery Pentagon, Cologne, Germany (on the occasion of Kunst-Video-Gesellschaft Symposium and Video-Skulptur Retrospective und aktuell 1963-1989)
Beyond Survival: Old Frontiers / New Visions, Ceres Gallery / NYFA/Woman´s Center for Learning, New York, NY, USA

1988
American Landscape Video: The Electronic Grove, The Carnegie Museum of Art, Pittsburgh, Pennsylvania / San Francisco Museum of Modern Art, San Francisco, California / Newport Harbor Art Museum, Newport Beach, California
New Works, American Film Institute Video Festival, Los Angeles, California
Film/Video Arts: 21 Years of Independents, The Museum of Modern Art, New York, NY, USA
1988: The World of Art Today, The Milwaukee Art Museum, Milwaukee, Wisconsin
TV: For Real, Halle Sud, Genève, Switzerland; Center for Photography, 
Woodstock, NY; and Bard College, Annandale, New York, USA
Twilight, Festival Béluard-Bollwerk, Fribourg, Switzerland
Festival International du Nouveau Cinéma et de la Vidéo de Montréal, 17ème Edition, Montreal, Quebec
Dallas Video Festival, Dallas, Texas
3rd International Festival of Films by Women Directors, CineMatrix, Seattle, Washington
Articulations: Picturing Women, Long Beach Museum of Art, Long Beach, California
Special Effects, Video Feature, International Center of Photography, New York, NY, USA
Video Transformations, ICI Traveling Exhibitions, 1988-1992
Landscapes of the Imagination: New American Makers, Opera Plaza Cinema, San Francisco, California

1987
Implosion: A Postmodern Perspective, Moderna Museet, Stockholm, Sweden
Non In Codice, Galleria Pieroni, Rome, Italy
The Arts for Television, The Museum of Contemporary Art/The Temporary Contemporary, Los Angeles, California
Selections from the Video Study Collection: 1968-1987, The Museum of Modern Art, New York, NY, USA
Video Television Festival, Spiral Gallery, Tokyo, Japan
The Second Australian Video Festival, Sydney, Australia
Documenta VIII, Kassel, Germany
L´Epoque, La Mode, La Morale, La Passion (1977-1987), Centre Georges Pompidou, Paris, France
World Wide Video Festival, Kijkhuis, The Haag, The Netherlands
Video CD ´87, 3rd International Biennial, Yugoslavia

1987
Video des Femmes, Maison des Jeunes et de la Culture de Genève, Saint Gervais, Genève, Switzerland
The French Program / Revision: Art Programs of European Television Stations, Stedelijk Museum, Amsterdam, The Netherlands

1986
Kunst und Technologie, Der Bundesminister für Forschung und Technologie, Bonn, Germany
Two Moon July, The Kitchen, Center for Video, Music, Dance, New York, NY, USA
World Wide Video Festival, Kijkhuis, The Hague, The Netherlands
Videonale ´86, Internationales Festival und Wettbewerbfur Kunstvideos, Bonn, Germany
Remembrances of Things Past, Long Beach Museum of Art, Long Beach, California
San Francisco International Video Festival and Road Show, San Francisco, California
Invitational, Curt Marcus Gallery, New York, NY, USA
A Different Climate: Women Artists Use New Media/Ein Anderes Klima: Künstlerinnen gebrauchen neue Medien, Kunsthalle Düsseldorf, Düsseldorf, Germany
New York City Video, First Australian Video Festival, ARTSPACE, Sydney, Australia
The Territory, KUHT-TV, Channel 8 (PBS), Houston, Texas
Ars Electronica, ORF Televison Broadcast, Austria
Products and Promotion: Art, Advertising and the American Dream, San Francisco Camerawork, San Francisco, California

1985
Performance Art and Video Installation, The Tate Gallery, London, England
1985 Carnegie International, Carnegie Institute Museum of Art, Pittsburgh, Pennsylvania
The 1985 Whitney Biennial Exhibition, The Whitney Museum of American Art, New York, New York
Selections from the 1985 Whitney Biennial Exhibition, The American Federation of the Arts, New York, New York [traveling exhibition]
Difference: On Representation and Sexuality, The New Museum of Contemporary Art, New York, New York / The Renaissance Society at the University of Chicago, Illinois / The Institute of Contemporary Art, London, England
Video Open International Video Festival, Stockholm, Sweden
Communications for the Future: Television and Video Festival, Stockholm, Sweden
New Video Music USA, Nouvelles Frontières, Musée d’Art Moderne de la Ville de Paris, Paris, France
Group Exhibition, Kettle’s Yard Gallery, University of Cambridge, England
TV Sculpture, Emily Lowe Gallery, Hofstra University, Hempstead, New York
Made for TV Festival: Video Visions, New England Women in Film and Video, Institute of Contemporary Art, Boston, Massachusetts
Women’s Video Art Showcase: Video Free America, Opera Plaza Theater, San Francisco, California
The New Figure, The Birmingham Museum of Art, Birmingham, Alabama

1984
The Luminous Image, The Stedelijk Museum, Amsterdam, The Netherlands
Video Art: A History, The Museum of Modern Art, New York, New York
Berlin Film Festival, Berlin, Germany
From TV to Video e Dal Video alla TV, Venice Biennale, Venice, Italy.
First National Video Festival, Madrid, Spain
Festival Internacional de Cine de San Sebastian, San Sebastian, Spain.
Tape TV, VPRO-TV, The Netherlands
First European Music/Video Festival, Vienna, Austria
Vidéos Musicales, 5ème Festival International d’Art Vidéo, Locarno, Switzerland
Selections form the Permanent Collection, The Museum of Contemporary Art, Chicago, Illinois
The New American Filmmakers Series, The Whitney Museum of American Art, New York, New York
Currents 5, Milwaukee Art Museum, Milwaukee, Wisconsin
New Voices 4: Women and the Media/New Video, Allen Memorial Art Museum, Oberlin, Ohio
Artists Videotapes: A Selection from Art Metropole, Art Metropole, Toronto, Ontario
Mediated Narratives, The Institute of Contemporary Art, Boston, Massachusetts
A Decade of New Art, Artists Space, New York, New York
So There, Orwell 1984, Louisiana World Exhibition, New Orleans, Louisiana
Seconda Festivale Internazionale del Video, Rome, Italy
Content: A Contemporary Focus 1974-1984, Hirshhorn Museum, Smithsonian Institute, Washington, DC
Video: A Retrospective Part 1, 1974-1984, Long Beach Museum of Art, Long Beach, California
Grand Video, Grand Stereo Showroom, New York, New York
Woman Artists/Filmmakers/Festival of Film as Art: The Woman´s Perspective, University of North Carolina, Greensboro, North Carolina
Video Festival, A.R.I. Gallery, New York, New York

1983
National Video Festival, The American Film Institute, Los Angeles, California / The American Film Institute, Washington, DC
Festival Internacionale de Cine de San Sebastian, San Sebastian, Spain
Mill Valley Film Festival, Mill Valley, California
Film as Installation, The Clocktower, The Institute for Art and Urban Resources, New York, New York
Video-Video, Toronto Film Festival, Toronto, Ontario
L’Amica Americana: Video Donna, Bologna, Italy
Word Works, Walker Art Center and The Minneapolis Collage of Art and Design, Minneapolis, Minnesota
Language, Drama, Source and Vision, The New Museum of Contemporary Art, New York, New York
The Other Avant-Garde, Film and Video Festival, Linz, Austria
Art Video: Retrospective et Perspectives, Charleroi, Belgium
Juste une Image, Antenne 2, French National Television
Worldwide Video Festival, Kijkhuis, The Hague, The Netherlands
Comment, Long Beach Museum of Art, Long Beach, California
International Festival of Video Art, The Saw Gallery, Ottawa, Ontario
Tenth Anniversary Exhibition, Artists Space, New York, New York

1982
60’80 Attitudes/Concepts/Images, Stedelijk Museum Amsterdam, The Netherlands
Documenta VII, Kassel, Germany
From New York: Video Blitz 1982/83, Kunsthalle Düsseldorf, Düsseldorf, Germany
Nightflight, USA Cable Network
Festival Internacionale de Cine de San Sebastian, San Sebastian, Spain
11th Festival International du Nouveau Cinema, Montreal, Quebec
Mill Valley Film Festival, Mill Valley, California
Art and the Media, Renaissance Society, The University of Chicago, Chicago, Illinois
Image Dissectors, University of California, Los Angeles, California
L’Amica Americana: Video Donna, Bologna, Italy
Rassegna Internazionale Donne Autrici di Cine e Video, Rome, Italy
Reading Video, The Museum of Modern Art, New York, New York
Return/Jump, The Kitchen Center for Video and Music, New York, New York
1ère Manifestation Internationale de Vidéo, Montbéliard, France
Sevilla Film Festival, Seville, Spain

1981
San Francisco International Video Festival, San Francisco, California
Pictures and Promises, The Kitchen Center for Video and Music, New York, New York
TV Tactics, Anthology Film Archives, New York, New York
National Video Festival, The American Film Institute, Washington, DC
The Kitchen Video Tapes on Tour, The American Center, Paris, France / Stedelijk van Abbemuseum, Eindhoven, The Netherlands
Group Exhibition, Collective for Living Cinema, New York, New York
Group Exhibition, Real Art Ways, Hartford, Connecticut
London Video Arts, AIR Gallery, London, England
Scansss, La Mamelle, Inc., San Francisco, California
Video Installation Show, Hallwalls, Buffalo, New York

1980
Film as Installation, The Clocktower, The Institute for Urban Resources, New York, New York
Cold War Zeitgeist, The Mudd Club, New York, New York
New York Video, Städtische Galerie im Lenbachhaus, Munich, Germany
Deconstruction/Reconstruction, The New Museum of Contemporary Art, New York, New York
The Times Square Show, New York, New York
Remy Presents Project Grand Central, Grand Central Station, New York, New York
New York Video, Kunsthaus Zürich, Zürich, Switzerland
Television/Video, Princeton University Art Museum, Princeton, New Jersey
Tapes from the Museum of Modern Art, The American Center, Paris, France

1979
Filmworks 1978-1979, The Kitchen Center for Video and Music, New York
Re-Runs, The Kitchen Center for Video and Music, New York, New York

1978
Group Exhibition, Mount St. Vincent Art Gallery, Mount St. Vincent University, Halifax, Nova Scotia

1977
Lesson Plans, (two-person show with Suzanne Kuffler), Artists Space,  New York, New York
Notebooks, Workbooks, Scripts, Scores, Franklin Furnace, New York, New York